Margaret Kilgallen: that's where the beauty is. Glass Colacello takes us there with

Colacello takes us there with Andy: into the Factory office

one of the deftest and surest critics of the contemporary scene

and Cerith Wyn Evans

Shore spent nearly every day there

tangible object and the incorporeal—be it a sensation

Margaret Kilgallen: that's where the beauty is. Glass Colacello takes us there withImpure Americana, a slightly acidic nostalgia that evoked sideshows, tramp art and old travel posters with infusions of feminist wit. Roberta Smith, New York Times. Margaret Kilgallen: thats where the beauty is., was published by the AAM on the occasion of Kilgallens first posthumous museum exhibition, and the largest presentation of her work in more than a decade on view from January June 2019. Using the artists exhibition history as a chronological